#Eddie redmayne in savage grace full

He first caught our attention when playing the son of Julianne Moore in 2007вЂ™s Savage Grace.

#Eddie redmayne in savage grace full

If he were a woman, weвЂ™d apply our rosy-nude lipstick to add a touch more pink in the cheeks (really just an excuse to touch his full lips). His cheeks are a landscapeВ of paleness, with just enough freckles to keep things interesting. The star of the upcoming Les MiserablesВ and campaign boy for Burberry has a tonally consistent face. Hugh Dancy whirls in like a caricature as the dandy who seduces Tony and beds his mother, solidifying the sexual link between the two.Introducing Male Gaze, in which the Cut ends our day with some good old-fashioned man candy.

Most likely this was also the fault of the script. His almost handsome, awkward on-screen appearance works to his advantage, but thereвЂ™s something lacking in his performance that prevented me from making any sort of connection. Eddie Redmayne ( ELIZABETH: THE GOLDEN AGE) is a curious choice for Tony. Stephen Dillane (FUGITIVE PIECES THE HOURS) is also terrific as Brooks, BarbaraвЂ™s long-suffering, in-over-his-head husband. This lack of depth leaves the characters unfinished and therefore not deserving of my concern or empathy and with a emotionally-charged story such as this one, that empathy is vital. In the post-film Q&A with Kalin, I learned a lot about BarbaraвЂ™s motives and troubled life things I should have learned in the film itself. Aronson, leaves out a lot of important character development. Howard RodmanвЂ™s screenplay, based on a book by Natalie Robins and Steven M. вЂњWhile Moore acquits herself marvelously, the film suffers from that weak script. ItвЂ™s a complex story that suffers from a script that canвЂ™t possibly contain all the nuances and complexities of reality. The film builds to its inevitable climaxвЂ¦ a lengthy, uncomfortable scene in Barbara and TonyвЂ™s apartmentвЂ¦ that ends in tragedy. Tony, who unleashes his barely hidden homosexuality once his girlfriend is out of the picture, longs for a connection with his father, and simultaneously blames his motherвЂ™s frightening mood swings on his departure. Barbara is manipulative with bother her husband, who eventually runs away with TonyвЂ™s first girlfriend, and her son. As Tony matures, the relationship between mother and son begins to grow more complicated and unsettling. Barbara quickly took the social world by storm, and the birth of their son Tony certainly did nothing to hold her back. Wealthy Brooks Baekeland was the heir to the Bakelite plastics fortune, and Barbara Daly, the beautiful and charismatic social climber who married him. вЂњSAVAGE GRACE recounts the true story of the Baekeland family.

MooreвЂ™s hit a couple of missteps in recent years, and a strong lead is definitely what she needs. I was eager to see SAVAGE GRACE not only because I had enjoyed SWOON, but because the buzz surrounding Julianne MooreвЂ™s lead performance was very positive. Sixteen years later, Kalin finally has another film about to open in theatres, and the fact that both films share the based on a true story subject matter - dysfunctional, co-dependent relationship that ends in murder вЂ“ is merely a coincidence according to the filmmaker. Michael says: вЂњDirector Tom KalinвЂ™s last feature film was SWOON, released in 1992.

Starring: Eddie Redmayne | Julianne Moore | Stephen Dillane